Album Review

Score 9.5
Written by Chris McDonald
Published on 4/20/2011
This right here, folks – this is where it all began. If you’re one of the people who shudders at the notion of words like “delicate,” “nostalgia,” and “childhood” being associated with black metal, you can direct your disdain right towards this little two song EP. And if you count yourself as one of the ever-growing legions of people who embrace this new and unusual perspective on metal music, than Le Secret should be raised up on an altar in your house somewhere. Frenchman Neige's solo-project Alcest threw the metal world for a humongous loop with this EP’s original release in 2005, and many listeners are still deciding whether to embrace or reject what this style denotes. But whether or not you’re a fan of this new movement or not, there’s no doubt that this is some of the most influential twenty-seven minutes of music we’ve seen unleashed on the metal scene in the new millennium, as the explosion of similarly minded bands the world over can attest. And when listening to Le Secret, its hardly difficult to imagine why it had such a profound impact. In addition to the groundbreaking aesthetic formulated on these songs, the music itself is of exceptional quality, and to this day it remains Alcest’s strongest release by a mile.
 
The notion of black metal conveying an atmosphere of wistfulness and serene nostalgia rubs some people the wrong way for a good reason, but these people are also missing the point of Le Secret entirely. Approaching this music as black metal isn’t just inaccurate, its ultimately an unnecessary hindrance to one’s enjoyment of the material at hand. Alcest hasn’t been a proper black metal project since its first demo, and while that genre is undeniably a huge influence on this release, structurally and sonically, its obvious that Neige was operating on an entirely separate conceptual wavelength, one that I wouldn’t even place in the metal spectrum despite the presence of blast beats, tremolo riffs, and harsh vocals. The fact that music can feature these elements so prominently while still not coming off as metal is impressive enough, but even more noteworthy is how Neige is able to propel the results of his vision beyond the realm of simple novelty into a truly memorable, moving piece of art.
 
There are only tracks songs here, but each is over ten minutes in length and takes the listener through a variety of movements. Both songs are generally speedier and more “metallic” than the band’s first album, Souvenirs d'un Autre Mond, but Alcest’s trademark sense of shimmering beauty and heartfelt frailty is still fully established. The title track is an immediately engrossing piece with its mix of expansive tremolo melodies and lilting, ethereal vocals, but “Elevation” is where this EP really soars to incredible heights. Beginning with an utterly gorgeous instrumental keyboard intro before transitioning into a lengthy exchange of accessible, melodically strong riffage and distant, cavernous screams, this song resonates with an emotional intensity that is unquestionably reminiscent of traditional black metal while engaging an entirely different area of the imagination. It’s a bold proposition, to be sure, but the boldness isn’t the real selling point; its how successful Neige is in conjuring the kind of atmosphere he’s so often related to the concept of Alcest. You don’t have to appreciate or enjoy the sentiments that fuel this music, but its hard to criticize the strength of their realization on this release.
 
The re-recorded versions of the two songs the band has added for this Prophecy re-issue are, of course, highly enjoyable, but neither adds anything significant to the original recordings beyond some slightly more nimble drum and bass playing. Combined with the lesser cover-art, there’s little reason for those who already own this EP to take the plunge a second time. But if you’re someone who has enjoyed the rise of this musical style in the last few years and somehow hasn’t heard this groundbreaking work, this re-release should be put at the top of your shopping list without question. Its one of the more daring and innovative releases the underground has seen in the last decade, and while it's disappointing to see the sub-genre it inspired begin to succumb to some of the same staleness and redundancy that tends to plague most of these sudden musical movements, Le Secret remains a stunning example of the potential this interpretation of metal possesses.



Anonymous's Avatar
Anonymous | posted on 12/2011 | Reply
From Italy, Exciting...
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Anonymous | posted on 4/2011 | Reply
Does the recording sound any better than the original audio wise? the production of the original release was quite bad
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Chris McDonald  | posted on 4/2011
Its a little punchier, but that's about it.
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Bloodflaps | posted on 4/2011
Ya I'm considering picking this up too. I'm one of the "lucky 1000" as I've heard it referred to elsewhere that owns the original of this little curiosity. But the production is so god-awful that it really distorts the overall effect for me. Don't get me wrong, I can definitely appreciate the profound impact of bad production ala Xasthur, Electric Wizard, Obeisance et al but in the case of the original Le Secret the two are completely misaligned which makes what I am sure are meant to be deep and reflective moments in the music come off as confusing. Hopefully these new versions restore a bit of the vision that Neige had when originally crafting these songs.
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Anonymous | posted on 4/2011
Punchier? I was under the impression that they were recorded again from scratch, I've already pre-ordered the CD so it doesn't really matter but this review doesn't really talk about audio quality and I figured that was the reason for the re-issue
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GDubya | posted on 4/2011 | Reply
I have Fen's newest recording and it isn't anything like or comparable to the Alcest reviewed above, which mysteriously receives a 9.5 for two long tunes that go nowhere. Fen is way beyond that, in Harmony, Dynamics, tone. Even the drummer is far better. There is nothing in common with Alcest.
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GDubya | posted on 4/2011 | Reply
Jeeeez, more 12 minute repetitive droning My Bloody Valentine/BM snoozefests. I fail to see the attraction of metal fans to this stuff. It has no riffs, no breaks, goes nowhere. Please, for the love of... somebody please explain this mass hysteria for Alcest/Agalloch, which, are really the same fricking band.
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Wharwulf | posted on 4/2011
Well, for starters there's actually quite a few folks out there who enjoy this stuff, G. For the love of... please explain to me why that's so difficult for you to comprehend. Seriously man, if you read the review and it isn't something you like that's just fine, but if you're just going to copy and paste the same argument every fucking time (no riffs, no breaks, goes nowhere), well... it's a bit tough to take you seriously, dude. I just hope you're not basing these opinions on 30 second samples of a tune here and there. A lot of these types of albums that you continuously hate on take a hell of a lot more time than that to sink in, and honestly that's what makes many of them fun and enjoyable.
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zach  | posted on 4/2011
And again, I fail to comprehend why you have a lifelong vendetta against Agalloch and Alcest but have said that you enjoyed Fen.
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GDubya | posted on 4/2011
I don't have a vendetta. I asked for someone to explain what is so interesting about this music. If you read the review, there are two sentences about the actual music. These guys, like Agalloch, hammer away in the same key for 10 plus minutes, never going anywhere. So i ask, what is the attraction to this stuff, that sounds more like a Soundtrack than metal. And i will say that i have HEARD it, not repeatedly, and that it doesn't need repeat listens because nothing is going on. I am not some noob listener but a musician. Cut and Paste!? It's the same thing, so why not? So, rather than why i dislike it, why do you enjoy it?
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zach  | posted on 4/2011
I enjoy Agalloch and Alcest because I find their music both soothing and compelling. Might not be very "metal" adjectives, but who gives a fuck. Both bands write what I consider to be EXTREMELY well-constructed songs and albums that are not only interesting across each individual minute but across their entire spans. Both bands are also very adept at creating what I call "compositional foreshadowing," where little melodic themes hint at what is to come. This is a strong value to me that greatly increases replay value. But mostly I like them because they're pleasing to my ears. I happen to like Immolation AND this kind of stuff. And Stevie Wonder too. And sometimes Wu-Tang Clan. Variety is the spice of fucking life.
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Wharwulf | posted on 4/2011
Don't leave out the Beach Boys my friend... Anyway, what more can I say? Zach pretty much said it all.
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GDubya | posted on 4/2011
Fair enough. That is more info about why someone should enjoy it than the review gives.
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GDubya | posted on 4/2011
I love "God Only Knows". And Roy Orbison.
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Anonymous | posted on 4/2011 | Reply
Maybe its due to the the fact that I live in Chicago and people sport long hair and Maiden Tees as a goof, but I just can't separate this band from all the other "making BM safe camp" alla WITTR, Shiturgy, Dickheaven et al. You're 100% right it ain't metal, but why bastardize the genre so blatantly. I'm no purist I just hate to see BM turn cuddly. To quote Famine "All I'd like to say is: please, fuck off. Get the fuck out of my way, stay clear once and for all."
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slaytanic1 | posted on 4/2011 | Reply
I've grown to adore this band after being completely bamboozled by them originally. The review gets it right...put aside any preconceptions of what you may expect from something erroneously labelled black metal and just enjoy the ride. A fantastic band.
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konradkantor  | posted on 4/2011 | Reply
Great review, Chris. Although the latest Alcest release is by far my favorite, I definitely agree with your sentiments about what Neige has created for himself and for the music world in general.
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Danhammer Obstkrieg  | posted on 4/2011 | Reply
Delicious. Nice review, and I'm definitely dorky enough to want to track down these re-recorded versions as well.