Album Review

Score 9.3
Written by John Ray
Published on 5/17/2009
I called to the other men that the sky was clearing, and then a moment later I realized that what I had seen was not a rift in the clouds but the white crest of an enormous wave.
~ Ernest Shackleton


Discovery can be a fickle bitch. As Sir Shackleton would attest, no matter one’s steadfast sense of purpose, Fate is forever truly at the helm. In meager parallel, this album has been a curious experience for me. I first heard it when the band began streaming it on their website and I was hooked immediately. The Stars of Never Seen’s passionate brand of power-laced traditional heavy metal seemed poised to finally fill the cavernous void left trailing the wake of Pharaoh’s excellent Be Gone. Oddly enough, though, it didn’t stick. Upon the first few spins of the promo copy, I was left wondering how to sum up a record that I found to be fun and familiar but with slightly off center vocal harmonies, with which some will clearly take issue, and lacking a veritable punch. Dismayed, I set about giving it the obligatory extra listens to solidify my take. Then, in the midst of my fifth proper spin, it clicked. Like a motherfuckin timebomb.

Anybody who heard Crescent Shield’s debut, The Last of My Kind, knows that this Golden State traditional metal troupe lives and breaths it. If you haven’t heard, please refer to Michael Wuensch’s top notch review of that album for an excellent discussion of their musical prowess and then forgive yourself for missing one of the better heavy metal albums of the past few years.

In the throwback era of heavy metal, it is getting more difficult to for classic minded bands to forge a suitable familiarity with panache enough to steer clear of clichéd clichés. But, while many such bands wear their influences on their sleeves, Crescent Shield wears them like bloodied badges of honor. On The Stars of Never Seen, the debt to Iron Maiden is diminished a bit, as the focal aperture is opened a little wider to more fully encompass the power/prog stylings of pioneers like Fates Warning and especially Helstar. This is very much about approach, though, rather than identity, as this album boasts an undeniably distinct sound.

Crescent Shield’s sophomore effort seems to fly by, due in no small measure to each song’s meticulous placement within a varied and dynamic but finely balanced arrangement, allowing a seamless flow from somber to lively and acute to epic. Crafted around the general theme of discovery and courage in the face of the unknown, the album meanders through a menagerie of mysteries from the mundane (interpersonal confrontation in “My Anger”) to the marvelous (interstellar exploration in “The Grand Horizon”), without ever losing its way. Of course, none of this would matter much if the songs didn’t stand strong on their own. Within the grand design, every song has something special to offer, from the pensive mandolin interludes of “Temple of The Empty” to the haunting, soulful solos of “Tides of Fire.” And, as good as the first six tracks are, The Stars of Never Seen bursts to supernova splendor with its final triumphant triumvirate. “The Bellman” is a boisterous bit of maritime metal that serves in its augury to the audacious as an introduction to “The Endurance,” an epic metal narrative based on Shackleton’s ill fated third attempt at conquering the South Pole. Akin in spirit and motif to Maiden’s “Rime…,” “The Endurance” also draws inspiration from early Dio and Loudness (note the opening riff sequence), in expertly weaving this tale of loss and ascendancy of human will in which the music conveys every bit as much as the lyrics. Bolstered by an accommodating production and an abundance of exciting riffs and compelling keystone rhythms, this masterwork is given life by Michael Grant’s vocal performance, itself propelled by superior songwriting. Nowhere is this more evident than in the excellent vocal counterpoint and complex cadence sown throughout the album, and particularly on “Lifespan,” the album’s peerless inspirational epilogue.

In looking back at my initial difficulty with this album, I can’t help but wonder whether my experience didn’t develop just the way Crescent Shield would have it. After all, within ourselves or without, we often set about an adventure with a hasty fervor, forgetting that discovery is never without its travails. But, through perseverance, we as often find that while the dream that catalyzed our voyage has eluded us, greater riches still lie in the essence of the journey. An exhilarating and intimate heavy metal saga, The Stars of Never Seen distinguishes Crescent Shield as the best in their business this year.



lee's Avatar
lee | posted on 5/2009 | Reply
I will try to listen to it again and maybe find some songs I like but I'm just not getting this whole "trad" thing and stuff. Maybe people are just young and starved for something that sounds "old" from a new band. I don't know. It is still driving me nuts though about what this reminds me of. I was never a huge fan of Armored Saint and Jag Panzer so maybe this reminds me of that or something.
stoned to death's Avatar
stoned to death | posted on 5/2009 | Reply
I guess what I'm trying to say lee is that there is a very dintinct vocal style found in trad and power metal..And if one does not like that style they probably will be turned off. I agree with what you are saying. Bad or good trad metal vocals are usually "over the top". Eather you pump your fist at it or wince in pain.
Twilight Frost's Avatar
Twilight Frost | posted on 5/2009 | Reply
This is a great record.
lee's Avatar
lee | posted on 5/2009 | Reply
"If one can't get past the vocals chances are good you aren't into trad metal. It comes with the territory." Man I'm not buying that, although I of course respect your opinion. There is good and bad clean vocals for Heavy Metal just like there is for any other type of music. I mean come on, someone could be into RJD, Bruce, Geoff Tate and others and not be into this.
lee's Avatar
lee | posted on 5/2009 | Reply
I'm trying to listen to this album right now and the vocals really remind me of some other band (but not in a good way). To be honest I don't see what is so "Trad" about this, it sounds like early Blind Guardian (Battalions of Fear) or a bunch of other German Speed/Power bands. Anyways, I will listen to the rest of it and see what happens. So far about a 3/6 but I'm hard on this kind of stuff. Basically it has to make me say "I want to listen to this" more then the stuff that has been done before it. Twisted Tower Dire is one of the few that make me feel like that.
BEZOAR's Avatar
BEZOAR | posted on 5/2009 | Reply
I agree w elpants, I just can't buy the vocals at all. Cheesy stuff...
xray14's Avatar
xray14  | posted on 5/2009 | Reply
@ Mr. Mallet It's all good, man. Sound is premo.
The Metal Mallet's Avatar
The Metal Mallet | posted on 5/2009 | Reply
How's the volume production on this one? The last one is so quiet that I hate playing it because I know once something else comes on my ears get blasted due to the volume disparity.
stoned to death's Avatar
stoned to death | posted on 5/2009 | Reply
If one can't get past the vocals chances are good you aren't into trad metal. It comes with the territory.
elpants's Avatar
elpants | posted on 5/2009 | Reply
I'm sorry, I just can't get past these vocals. Try as I might, but I don't think it's ever going to happen.
Captain's Avatar
Captain  | posted on 5/2009 | Reply
Nice work, JR. This band whoops ass. And "Lifespan" is worth the price of admission, as far as I'm concerned. One of my favorite tunes of the year for sure.
Jishwa's Avatar
Jishwa | posted on 5/2009 | Reply
Again...nice! Can't wait to hear this.
Randy's Avatar
Randy | posted on 5/2009 | Reply
I think its time for me to give them a try. The vocals are a turn off, but if I can get used to King Diamond, I can get used to anything.
grymmbear's Avatar
grymmbear | posted on 4/2009 | Reply
I tried to like this band, but I just can't get into them.
Jishwa's Avatar
Jishwa | posted on 4/2009 | Reply
Nice!