Album Review

Score 6
Written by Tim Pigeon
Published on 3/22/2005
Russian symphonic metal…can’t say I’ve ever reviewed any of that before. I’m not really familiar with much at all about the Russian metal scene, beyond Forest Stream and Butterfly Temple, so at least I know that Russia can play doom. However, The Aerium are not doom, they are a keyboard/synthesizer-driven band fronted by a female ex-choir singer, so you can expect nothing but operatic vocals.

Veronika’s voice is the most noticeable piece of the puzzle. She sounds much like Tarja of Nightwish, although she doesn’t show much range on this release. Her capable voice couples with the dominating keyboard work of Andrey (who is quite good) to set a somber, tragic mood which projects forth from every song. In essence, Song for the Dead King reminds me of a film soundtrack for something like a subtitled movie set in old Italy about a father dying. It's just mellow, sorrowful music. So if that is their goal, then they’ve succeeded.

I, however, have a couple of issues with this album. First of all, the mixing does no justice to most of the band. The synths are way out in front, so even when a “heavy” guitar riff is being played, it has little of the intended impact, as in “Sentinel”. The bass and drums get equally little respect in the studio. Each instrument sounds fine, but their relative volumes are skewed, as I hear it.  The acoustic guitarwork comes through better, but that is because when Kirill is playing acoustic, there isn’t much else being played. My other problem is that The Aerium are quite unaggressive in their songwriting. The songs rarely ever hit any sort of climax, with the exception of maybe “Queen of Snows”. The outlook is not all negative though, as there are some very decent tunes, like “Midnight” and “Queen of Snows”.

Song for the Dead King is an adequate symphonic release that suffers from a questionable production. Because of that, I’ll end up lumping this in with bands like Canaan and Twelfth of Never, as bands that I listen to when I need something calming. However, this is The Aerium’s first album, so I expect natural progression to take them further on their next release.



Unknown Metalhead
Tim | posted on 3/2005 | Reply
Thanks for dropping by. Good luck with the band.
Unknown Metalhead
Andrew [The Aerium] | posted on 3/2005 | Reply
This sort of criticism makes us to work really harder. We'll take into consideration your opinion and use it for the good. P.S. We'll add a link to www.metalreview.com soon. Thanks again.
Lee's Avatar
Lee | posted on 3/2005 | Reply
Yeah, Beholder had the same problem on their production too, and I think that was on Black Lotus also. You can't make this type of music without perfection production.
Unknown Metalhead
TheLostSoul | posted on 3/2005 | Reply
I really should look through what I write before posting...
Unknown Metalhead
TheLostSoul | posted on 3/2005 | Reply
I downloaded the mp3s off their homepage and I must admit that I enjoyed it. The main problem, as you pointed out, is that the production is favoring the vocals and the keyboard. If the voilume for the other instruments were tu7rned up, they would be even better. And for Tarja. She sounds great on the albums, but I must admit, she is not that great live. I saw Nightwish about a month ago, and I was disapointed with her vocals. There improved, but were waay below her standard on the albums.